Michael Foot — Collected Reviews — Cushman Collected

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All's Well That Ends Well Antony and Cleopatra As You Like It The Comedy of Errors Coriolanus Cymbeline Hamlet Henry IV Henry V Henry VI Henry VIII Julius Caesar King John King Lear Love's Labour's Lost Macbeth Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Night's Dream Much Ado About Nothing Othello Pericles Richard II Richard III Romeo & Juliet The Taming of the Shrew The Tempest Timon of Athens Titus Andronicus Troilus and Cressida Twelfth Night Two Gentlemen of Verona The Two Noble Kinsmen The Winter's Tale Riffs on Shakespeare Thoughts on Shakespeare

Search the Archive Shakespeare Collection All's Well That Ends Well Antony and Cleopatra As You Like It The Comedy of Errors Coriolanus Cymbeline Hamlet Henry IV Henry V Henry VI Henry VIII Julius Caesar King John King Lear Love's Labour's Lost Macbeth Measure for Measure The Merchant of Venice The Merry Wives of Windsor A Midsummer Night's Dream Much Ado About Nothing Othello Pericles Richard II Richard III Romeo & Juliet The Taming of the Shrew The Tempest Timon of Athens Titus Andronicus Troilus and Cressida Twelfth Night Two Gentlemen of Verona The Two Noble Kinsmen The Winter's Tale Riffs on Shakespeare Thoughts on Shakespeare

The collected reviews of internationally acclaimed theatre critic Robert Cushman.

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Posts tagged Michael Foot

Caesar in Double Focus

Caesar in Double Focus

Shakespeare, Royal Shakespeare Company, ObserverRobert CushmanApril 3, 1983Julius Caesar, Ron Daniels, Ann Curtis, Joseph O'Conor, Lesley Duff, Michael Foot, Emrys James, Neil Kinnock, Peter McEnery, John Wood, David Schofield, John Dicks, Paul Mooney, Gemma Jones, Oliver Ford-Davies, Griffith Jones, Royal Shakespeare Company, 1983, April

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